Mendez said he worked with Affleck, who starred, directed and co-produced the film, and screenwriter Chris Terrio in making “Argo” — the real movie, not the phantom film — during production, and in promoting the movie since its 2012 release. That has picked up again as the awards season started cranking up, he said.
“Warner Brothers has a cadre of marketing people that make the world go round,” Mendez said Thursday of the studio that released the movie.
For him, promoting the film’s Oscar chances has included making the rounds to meet voting members of the academy, something people associated with other nominated films are also doing, he said.
“You’re schmoozing each other a lot,” Mendez said.
“We were just talking about the movie, the book and the buzz,” Mendez said of his appearance with Affleck earlier this week on “Good Morning America.” A crew from Fox News was scheduled to be at his home Thursday, he said.
“He’s not good-looking enough,” Mendez told “GMA” host George Stephanopoulos when asked how Affleck did playing him.
In addition to Best Picture and Best Adapted Screenplay, “Argo” received Oscar nods for Alan Arkin as Best Supporting Actor, William Goldenberg for Film Editing, and Alexandre Desplat for Original Score, as well as nominations in the Sound Editing and Sound Mixing categories.
The 85th Academy Awards will be handed out Feb. 24.
“I helped him. It was a joy to work with him ... and it’s his first big break,” Mendez said of Terrio.
“People were shocked Ben didn’t get the directing” nomination, Mendez said of Affleck, who shared a screenwriting Oscar early in his career with Matt Damon for “Good Will Hunting.”
“People thought he was a shoo-in,” he said.
“Argo” has already picked up a number of awards from the American Film Institute and film festivals. The experience has allowed Mendez to attend premieres, festivals and other events and rub elbows with some of the film industry’s elite.
One time, he found himself sharing the stage with Daniel Craig, the latest actor to play James Bond.
“Some people said, ‘There’s the real James Bond meeting the phony James Bond,’” Mendez joked.
Unlike Bond, Mendez rarely carried a weapon during his spying career, unless in an actual war zone.
“Stealing secrets from someone, you don’t want to use a gun, you want to use guile,” the retired spy said.
Mendez said he first wrote about the “Argo” operation in a chapter of his first book, “The Master of Disguise,” and later fleshed it out into a full book with co-author Matt Baglio, “Argo: How the CIA and Hollywood Pulled Off the Most Audacious Rescue in History.”
Iranian militants stormed the U.S. embassy in Tehran on Nov. 4, 1979, taking more than 50 embassy personnel hostage, but six managed to elude the militants and took refuge in the Canadian ambassador’s home. Mendez hatched the plan to set up a phony film studio producing a science-fiction fantasy, “Argo,” and traveled to Iran posing as a producer.
Mendez provided false passports and identities for the six and eventually smuggled them out of the country, he said.
The operation was right up Mendez’s alley.
“I was hired as an artist who made false documents and disguises,” Mendez said of his beginnings with the Central Intelligence Agency. “What I went on to do was build up a world class disguise capability” for the agency, he said.
Smuggling people out of hostile countries was something that Mendez participated in scores of times during his career with the CIA from 1965 to 1990.
“Quite a few,” he said when asked if any of his covert operations are still classified.
These days, life is quieter for Mendez, though he is still in the art business. The Mendez family owns Pleasant Valley Studios in Knoxville, Md.